[毕业论文] [毕业论文]徘徊在“知”“情”之间——试以丁未年为界考察王国维两个时期内的美学探索

论文简介：
毕业论文-徘徊在“知”“情”之间——试以丁未年为界考察王国维两个时期内的美学探索，共56页，27992字
本文意在以王国维在1907年（丁末年）前后由哲转文的这一时间点为切入点，考察其（至此时间点为止）在哲学研究中对美学问题之重要性的敏感与创建，以及（于此时间点开始）在文学理论工作中继续并且深入的美学探索。而这其中的连续性正表现了静安先生对于西方哲学“知”“情”分裂之问题的发现（前期的主要贡献）以及解决的尝试（后期的主要贡献）。
王国维以自己的个体生命作为哲学理论的试验场，特别真切地展现出在“古今中外”之大转折大冲撞的时代里中国哲学连同中国学人一同遭遇的危机。其在丁末年发生的学术转向如果说多少有逃避之嫌的话，之后在文学理论领域中的探索（尤以《人间词话》为主）则为中西哲学之困境开出了新的契机。
This thesis attempts to gain an insight into Wang Guowei’s achievements in aesthetics by his sensing the important issue of 20th century’s philosophy and then making efforts on it. I take the academic turn of Wang Guowei in 1907 as cut-in to run my study, by searching the reason of it throughout Wang’s early works and pursuing his further efforts on the same kind issue throughout his later works.
Wang, experimented his own life with his philosophy believes which mainly inherited by western philosophic systems, vividly visualize the common fates of scholars who lived in early 20th. Though he finally actively abandoned philosophy, which made him seem like a loser in this area, his explorations of asthmatics issue by his literature Criticism later did threw light on the deadlock of both western and eastern philosophy.
目录
第 1 章 引 言 .......................................................................................................1
第 2 章 “知”“情”分裂问题的发现 ——王国维美学转向再探究...........3
2.1 中学的缺憾与纯粹学术观 ........................................................................................... 5
2.2 西学的缺憾与“可爱者不可信”.................................................................................. 7
2.2.1 化合中西与以西救中 .............................................................................................. 7
2.2.2 西学之问题的暴露：“知”与“情”的分裂 ........................................................ 9
2.2.3 关于“可爱”与“可信”之争的小结 .................................................................11
2.3 早期美学观与成果 ..................................................................................................... 12
第 3 章 《人间词话》中对统一“知”与“情”尝试性探索.......................15
3.1 “第一义”与“境界”说 ......................................................................................... 15
3.1.1 “第一义”释义 .................................................................................................... 16
3.1.2 “第一义”与“境界”的关系 ............................................................................ 16
3.2 “观”与“真” ......................................................................................................... 17
3.2.1 “观”的中西内涵 ................................................................................................ 18
3.2.2 “以物观物”与“以我观物” ............................................................................ 19
3.2.3 “观”之“真” ...................................................................................................... 21
3.3 “情”的位置 ............................................................................................................. 22
3.3.1 “境界”与“意境“ .............................................................................................. 22
3.3.2 “壮美”与“崇高” .............................................................................................. 24
3.3.3 “天才”与理想人格 ............................................................................................ 25
第 4 章 王国维美学探索的启示意义 ...............................................................27
4.1 失败的哲学家或者哲学的失败 ................................................................................. 27
4.2 “中西化合”的努力与成就 ..................................................................................... 28
第 5 章 结 语 .....................................................................................................31
参考文献 .............................................................................................................33
致 谢...............................................................................................................35
声 明..............................................................................................................37

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• 毕业论文-徘徊在“知”“情”之间——试以丁未年为界考察王国维两个时期内的美学探索
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